![bronica rf645 vs mamiya 6 bronica rf645 vs mamiya 6](https://www.japancamerahunter.com/wp-content/uploads/2017/06/DSC02807.jpg)
Also there is something sensual about looking through the ground-glass of a Hasselblad. Furthermore, you see the world flipped left-right. So when you move your camera to the left, it appears to be moving to the right (and vice versa). What is also fascinating about shooting on the Hasselblad is that everything is inverted. We’re always so used to seeing reality head-on (or through a viewfinder), and rarely while looking down (using a waist-finder on a Hasselblad or TLR). First of all, you see the world in a unique way. Shooting on a Hasselblad if an amazing experience (or any TLR camera). The experience of shooting on a Hasselblad Dutifully while living in Berkeley, I carried around my (quite heavy) Hasselblad while on my daily chores and just exploring the neighborhood. Then I realized I had a Hasselblad that my friend Jeroen Helmink gave me about 2 years ago (which was collecting dust on my shelf) that I wanted to try out. So I first started shooting a lot of squares on my smartphone (squares in-camera, post-processing in VSCO, and uploading to Instagram and social media). To be honest, my first real fascination with shooting squares was from Instagram (and of course photographers like Lee Friedlander and Vivian Maier). To start off, I have been really fascinated with shooting square-format photographs recently. So after a long trip in Stockholm, Dubai, and London I wanted to share some of my experiences shooting medium-format (Hasselblad 501c + 80mm lens and Mamiya 7 + 80mm lens) for street photography (and traveling in general).